"Some years ago I was in the British Museum looking at the Parthenon sculptures when a young man came up to me and said with a worried air, "I know it's an awful thing to confess, but this Greek stuff doesn't move me one bit." I said that was very interesting: could he define at all the reasons for his lack of response? He reflected for a minute or two. Then he said, "Well, it's all so terribly rational, if you know what I mean." I thought I did know. The young man was only saying what has been said more articulately by Roger Fry and others. To a generation whose sensibilities have been trained on African and Aztec art, and on the work of such men as Modigliani and Henry Moore, the art of the Greeks, and Greek culture in general, is apt to appear lacking in the awareness of mystery and in the ability to penetrate to deeper, less conscious levels of human experience.
This fragment of conversation stuck in my head and set me thinking. Were the Greeks in fact quite so blind to the importance of nonrational factors in man's experience and behaviour as is commonly assumed both by their apologists and by their critics? That is the question out of which this book grew. To answer it completely would evidently involve a survey of the whole cultural achievement of ancient Greece. But what I propose attempting is something much more modest: I shall merely try to throw some light on the problem by examining afresh certain relevant aspects of Greek religious experience. I hope that the result may have a certain interest not only for Greek scholars but for some anthropologists and social psychologists, indeed for anyone who is concerned to understand the springs of human behaviour. I shall therefore try as far as possible to present the evidence in terms intelligible to the non-specialist."
first lines from the book "The Greeks and the Irrational" E. R. Dodds
